{"id":8892,"date":"2024-03-12T16:35:33","date_gmt":"2024-03-12T15:35:33","guid":{"rendered":"https:\/\/www.die-neue-sammlung.de\/?post_type=exhibition&p=8892"},"modified":"2024-04-22T14:51:43","modified_gmt":"2024-04-22T12:51:43","slug":"urushi-lack-design-east-meets-west","status":"publish","type":"exhibition","link":"https:\/\/www.die-neue-sammlung.de\/en\/ausstellung\/urushi-lack-design-east-meets-west\/","title":{"rendered":"Urushi-Lack + Design. East meets West"},"content":{"rendered":"
\n\n
\n\n
\n\n
\n\n
\n\n
\t\n\t\tEvent period : <\/span>12.12.2012 – 24.02.2013<\/span>\n\t<\/span>\n<\/div>\n<\/div>\n\n\n\n\n
\n

Urushi-Lack + Design. East meets West<\/h1>\n<\/div>\n\n\n\n\n
Centuries-old Japanese lacquer craftsmanship<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n\n
\n\n
\n
\n\t
\n\t\t\n\t\t\n\n\t\t\t<\/div>\n<\/div>\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
\n\t
\n\t\n\t
<\/div>\n\n\t\n\t\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
View of showcases, Urushi-Lack + Design. East meets West, 2012.<\/div>\n\t\t\t\t\t\t\t\t\t\t
Photo: Archive Die Neue Sammlung <\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n<\/section>\n\n
\n\n
\n\n
\n\n
\n

About the Exhibition<\/h2>\n<\/div>\n<\/div>\n\n\n\n\n
\n\n
\t

In the 1990s Italian architect and designer Ettore Sottsass (1917-2007), one of the greatest and most influential of the 20th century, encountered the ancient Japanese lacquer art urushi kogei.

Several years of intellectual exchange and design in close collaboration with leading Japanese masters of this highly demanding technique, he designed vessels and objects that embody western (post-)Modernism, Far Eastern elements, Italian esprit and Japanese sophistication in equal measure.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n

\n\n
\n\n\t
\n\t\t\n\t\t\t\n
\t

This exciting course of development took Sottsass and his Japanese partner Marutomi from industrial design to unique handcrafted items, from mass-produced products in the characteristic red and black Urushi style, to small series with natural urushi lacquer, to sculpture-like one-offs, the result of hundreds of individual steps applying layer upon layer of urushi to wood.

The exhibition also showcases examples of urushi works by other western designers such as Dieter Rams and Fritz Frenkler. This exchange between East and West in their approach to design and the conceptual inspiration demonstrated in the resulting pieces \u2013 illustrated particularly well by Ettore Sottsass\u2019 late urushi objects never before exhibited in a museum \u2013 represents an exploration of the roots of design and cultural transfer at its best.

\u201cJapanese influences shaped Modern European artistic output, from the works of van Gogh to Christopher Dresser\u2019s designs and from E.W. Godwin\u2019s furniture to the architecture of Frank Lloyd Wright. Yet the influences also ran in the other direction, from West to East, as shown by the reception of the German Werkbund or the Bauhaus.
Whereas each generation of Western ceramic artists rediscovered Japan for itself, in design a largely globalized language has developed.
As such, Japan\u2019s influence on one of the major designer personalities of the 20th century is all the more revealing. Ettore Sottsass showed great curiosity throughout his life, drawing inspiration also from India, China and South America. In the 1990s he discovered the old Japanese urushi kogei lacquer art. Over years of intense study and collaboration with leading urushi masters, he created vessels and objects that appear to ideally embody \u2018East meets West\u2019. Whereas the works of the two German designers following the \u2018urushi path\u2019, namely Dieter Rams and Fritz Frenkler, are decidedly minimalist in nature, the works of Italian architect Sottsass also reference other aspects of Japanese art, namely tectonic force, opulence and magic.\u201d (Florian Hufnagl, in the exhibition catalog \u201cUrushi-Lack und Design: East Meets West.\u201d Die Neue Sammlung. Munich 2012).

An exhibition organized by Die Neue Sammlung \u2013 The International Design Museum Munich.
Cooperation partners: Real Japan, Sabae, Prefecture Fukui, Japan.<\/p>\n<\/div>\n\t\t<\/content-reveal>\n\n\t\t

\n\t\t\t
\n\t\t\t\t