{"id":939,"date":"2024-03-03T17:15:00","date_gmt":"2024-03-03T16:15:00","guid":{"rendered":"https:\/\/www.die-neue-sammlung.de\/?post_type=exhibition&p=939"},"modified":"2024-04-23T16:00:01","modified_gmt":"2024-04-23T14:00:01","slug":"kankan-%e2%80%92-kirakira-%e2%80%92-dokidoki","status":"publish","type":"exhibition","link":"https:\/\/www.die-neue-sammlung.de\/en\/ausstellung\/kankan-%e2%80%92-kirakira-%e2%80%92-dokidoki\/","title":{"rendered":"KanKan \u2012 KiraKira \u2012 DokiDoki"},"content":{"rendered":"
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\t\n\t\tEvent period : <\/span>02.03.2024 – 01.04.2024<\/span>\n\t<\/span>\n<\/div>\n<\/div>\n\n\n\n\n
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KanKan \u2012 KiraKira \u2012 DokiDoki<\/h1>\n<\/div>\n\n\n\n\n
The sound of the hammer when making jewelry \u2012 looking on jewelry \u2012 the feeling when wearing jewelry<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n\n
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Exhibition, KanKan – KiraKira – DokiDoki, 2024.<\/div>\n\t\t\t\t\t\t\t\t\t\t
Photo: Die Neue Sammlung (K. Mewes) <\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n<\/section>\n\n
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About the Exhibition<\/h2>\n<\/div>\n<\/div>\n\n\n\n\n
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The \u201dJewelry & Metalworking Course\u201d of the Kobe Design University invited by Die Neue Sammlung \u2013 The Design Museum

KanKan \u2012 KiraKira \u2012 DokiDoki in onomatopoeia these words mean the sound of the hammer when making jewelry \u2012 looking on jewelry \u2012 the feeling when wearing jewelry.\u2028Onomatopoeia is a broad term.
It tries to verbalize emotions and tones \u2012 situations and actions in one word, in one expression. It is completely irrelevant whether the feelings, sounds or circumstances are generated by individuals or by objects.\u2028<\/p>\n<\/div>\n<\/div>\n\n\n\n\n

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In Japan, onomatopoeia is a very familiar and essential form of communication. In the Japanese thesaurus are around 4,500 onomatopoeic words.\u2028 These terms are emerged from a desire to share the same feelings with others. In recent years, they have been prominently used in Japanese manga and animations, which are also popular overseas, especially in manga where they are indispensable. \u2028Manga and animation were once considered a subculture in Japan, but today they have become integral parts of Japanese mainstream culture worldwide. This exhibition also reflects our aspiration that Japanese contemporary jewelry can become a mainstream culture that penetrates the world like manga and animation.\u2028\u2028

This exhibition unites contemporary jewelry (which is also a communication tool) and onomatopoeia (which supports the transmission of feelings), both of which have something in common in the idea of \u201ctransmitting feelings.\u201d We hope that through the artists\u2019 selected onomatopoeia, everyone can receive and appreciate the message conveyed by the creators\u2019 emotions and jewelry.

On display are works by students and alumnis of the university\u2019s school class, selected by their professors Fumiki Taguchi, Itto Mishima, Takashi Kojima and Mari Ishikawa.

Students and alumnis:
Chihiro Hanayama, Kako Shimoonoda,\u2028 Kazunori Kodani, Rio Yamamoto, Nagisa Yamada, Natsuki Takeuchi, Kenta Kanetsuki, Momoe Taguchi, Jingyuan Chen, Hayate Miyazaki, Yoshiki Yamada, \u2028Kim Jeeyun, Mona Kanda, Moe Kinugawa,\u2028 Daiki Nakagawara, Amane Nagase, Wang Dan, \u2028Haruna Shiki, Mizuki Fujimoto, Hong Ma, Nan Jin, Ema Yamazoe, Shi Ruining, Sakura Nagaya.<\/p>\n<\/div>\n\t\t<\/content-reveal>\n\n\t\t

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